“Andrew R. Casper’s Art and the Religious Image in El Greco’s Italy makes an important contribution to the growing body of scholarship on El Greco, one of the most original and, often, least understood artists of the late Renaissance. In a probing and illuminating fashion, Casper reveals the ways in which El Greco’s encounter with both Counter-Reformation theological ideas and Venetian and Roman art and art theory enabled him to transform himself from a provincial painter of icons in the Byzantine manner to a truly modern painter of devotional images. The El Greco we encounter here is a highly self-conscious, ambitious, and learned painter who, by virtue of his ‘Byzantine way of thinking,’ reconciled aesthetic concerns with contemporary attitudes toward sacred images in the form of what Casper brilliantly terms ‘artful icons.’”
—Steven F. Ostrow, University of Minnesota